Intellectual property lawyers use brandbooks in three typical situations. The first one is proving authorship of visual solutions, when it is necessary to show who created a specific combination of colors, font, or logo composition and when. The second one is confirming that the trademark owner exercised proper control over the use of the trademark: this is critical in disputes over early termination of protection due to non-use or inadequate control during licensing. The third one is fixing the distinctive character of elements of the corporate style in cases of unfair competition, when the court requires proof that these specific colors, font, and logo attract consumers and are associated with the brand.
In none of these situations does the brandbook serve as the sole argument. It reinforces the main set of evidence, and its weight directly depends on how the document is formatted and what is recorded in it.
Courts do not perceive all evidence equally — each type has its own evidentiary strength, and a brandbook without additional formatting falls into the lower part of this scale.
| Type of evidence | Strength in court |
|---|---|
| State registries (Rospatent) | Highest |
| Notarial protocol of inspection | Highest for non-patentable works |
| Deposit in RAO, RUSCOPYRIGHT | High |
| Cryptographic fixation (RFC 3161 + blockchain) | High |
| Electronic correspondence | Medium (only with notarial certification) |
| Brandbook file metadata | Low without support |
A regular PDF brandbook file without a creation date and without external confirmation of authorship formally belongs to the last row of this table. That is why it is rejected more often than clients expect.
A telling example is the decision of the Court of Intellectual Property in case No. SI-878/2024. The company presented the brandbook as evidence of long-term use of elements of the corporate style, but the court rejected the document. The reason is simple: the brandbook did not contain information about its creation date, and the attached product photos did not contain manufacturing dates. Without these temporal references, the document turned into a set of beautiful layouts that could just as well have been drawn yesterday or five years ago.
This case well illustrates the main weakness of most brandbooks in judicial practice: designers and marketers make the document for internal use and do not think about the possibility of having to defend it in court someday. As a result, the date, signatures of responsible persons, and ties to specific media of use are missing — and the evidence falls apart at the first check.
You can increase the evidentiary value of a brandbook by documenting it according to a certain algorithm — this is not a one-time formality, but a procedure that should be built into the process of working with an agency even at the development stage.
A brandbook alone does not work in court — this is confirmed by both case law and the logic of proof. The legal status of a brandbook under the Russian Civil Code is a collective work, an object of copyright, and the transfer of exclusive rights to it requires a written contract for alienation under Article 1234 of the Civil Code of the Russian Federation. This leads to a specific list of documents without which the dispute is lost in advance:
An additional and little-known option is to include the brandbook in the composition of know-how and the regime of commercial secrecy during licensing, particularly in a franchise agreement. This approach expands the legal protection of the document beyond copyright: in addition to proving authorship, there is an additional mechanism — liability for violating the regime of commercial secrecy when brand standards are improperly disclosed. For franchise networks, this is often a more practical tool than attempting to protect the brandbook solely as a work.
The final conclusion is simple: a brandbook with average legal strength is not useless — it remains a substantial piece of evidence of proper control by the rights holder and the distinctive capability of the corporate style, provided it is dated, signed, and externally fixed. Without this, it becomes a beautiful presentation that the court sets aside at the first objection raised by the opponent.