Most articles on localization describe what to adapt — visuals, slogans, packaging. But almost nobody explains on what principle to decide which meaning must not be touched and which must be transformed. A multilayered model works: a brand has a semantic core — mission, value hypothesis, promise that the brand gives to the market in principle — and there is a cultural shell — that through which images, metaphors, and rituals this promise is read by a specific audience.
The method is simple in formulation and complex in execution: for each element of the platform, you need to ask the question — 'Is this about what we give to the world, or about how we show it?' Mission, strategic ambition, key value hypothesis — this is the core, it is not subject to transformation, otherwise the brand loses global manageability. And the archetype, the tone of voice, the visual code, the evidence base, the consumer interaction scenario — this is the shell, and it must be reassembled according to local semiotics. If a company confuses these layers and begins to 'translate' the value hypothesis literally, it results in a sterile global brand without resonance. If the core is touched, the brand falls apart into incompatible local versions.
Translation works with words. Localization works with elements — it changes the packaging, interface, and legal formulations. Transcreation works with the meaning as a whole and often requires a completely new form of expression while preserving the function that this form performs within the platform.
In practice, this looks like this: a slogan is not translated literally, but recreated so as to evoke the same emotional response as the original — even if there are no shared words in the text. Transcreation of a brand platform works not with the text of an advertising message, but with an entire layer of the platform: it is not a single phrase that changes, but the entire system of evidence, the order of arguments, the consumer action scenario, the channels and formats of brand support — while positioning and visual codes remain recognizable. It is this hybrid approach that has shown resilience in cases of localization in the Uzbek market: the brand did not change in terms of who it is, but completely rebuilt how it demonstrates this.
A separate trend of recent years is hybrid transcreation, where companies such as Apple combine technological tools, including AI models for initial text adaptation, with human creative verification of cultural resonance. AI provides speed and scale, while humans guarantee that the meaning has not been inverted during the transition to another culture.
The brand archetype is not a universal construct. The hero is read as selfish in one culture, and as a role model in another. The sage is perceived differently in cultures with high power distance versus in egalitarian cultures. Before transferring the archetype to a new market, it is necessary to verify that it does not conflict with the fundamental ethical coordinates of the audience.
A telling example is the Chinese market, where semiotics of brand must embed not only visual and verbal codes, but also such cultural concepts as guanxi (ethics of interdependence, value of long-term relationships) and mianzi (social capital of ‘face’, importance of not losing reputation in the eyes of one’s environment). This works not at the level of a slogan, but at the level of archetype and system of values of the platform: a brand built on the archetype of the Rebel or the Outcast will be perceived not as strong, but as socially risky in such a cultural system. This is exactly how the case study of Splat was analyzed when entering Asian markets — the question was not ‘how to translate communication’, but ‘which archetype will not destroy trust in the guanxi system’.
| Cultural code | Risk of direct transfer | What needs to be rebuilt in the platform |
|---|---|---|
| Guanxi (interdependence) | The archetype of the Outcast is read as an unreliable partner | Archetype, value rhetoric of longevity |
| Mianzi (social capital) | Direct, ‘bold’ communication undermines the status of the audience | Tone of voice, script of public communication |
| High distance of power | The archetype of the Rebel is perceived as a threat to hierarchy | Archetype, role of expert/authority in the narrative |
| Collectivism vs individualism | The promise of ‘standing out from the crowd’ works in reverse | Value hypothesis, formulation of the brand promise |
The model that ITMO uses to describe entering the international market is built on two axes — brand and product, each of which can be either existing or new. From this matrix, four strategies emerge, and which one is chosen directly determines how much semantic work needs to be done with the platform.
| Strategy | Brand | Product | What happens to the platform's meanings |
|---|---|---|---|
| Standardization | existing | existing | The core and shell are transferred almost without changes |
| Glocalization (new product) | existing | new | The core is preserved, a new layer of evidence is added |
| Glocalization (new brand) | new | existing | The shell is completely reassembled, the core is masked as a local brand |
| Adaptation | new | new | A full transcreation of the platform from scratch is required |
The most famous example of meaning inversion is the story of Pepsi in China, where the slogan 'Come alive with the Pepsi generation' was translated so that the phrase literally read as 'Pepsi brings life back to your ancestors.' The meaning that worked on energy and youth turned into an insult to the ancestor cult — the central value in the Chinese cultural system. This is not a translation error in the narrow sense, but a platform-level error: no one checked how the value hypothesis 'life, energy, renewal' resonates with the value hierarchy of the specific market.
Working with an international brand platform is not like translating a document, but rather designing two layers simultaneously: an immutable core and a flexible cultural shell, between which there is a clear boundary of responsibility.
Such an approach does not guarantee that the localization will be error-free — cultural codes are too multi-layered for one hundred percent predictability. However, it provides a working criterion for decision-making: if the element of the platform is responsible for what the brand promises to the world, it must not be touched. If it is responsible for how this promise is perceived by a specific culture, it must be transformed.