Mixing these three types of clients is a common mistake even among agencies. They have different goals, different limitations and different freedom of action.
| Type of structure | What regulates the design | Example | Level of freedom |
|---|---|---|---|
| State company (AO with state participation) | Corporate charter, partially — requirements of the shareholder | RZD, Rostech | Medium-high |
| Government institution / department | Heraldic canons, provisions about the coat of arms | Ministry of Industry and Trade, Rosreestr | Low, but growing |
| Territorial brand | Absence of a single regulation, collegial decisions | Regional and city brands | High, but politically sensitive |
State companies are closer to business: they have a budget, KPIs, and competitors for talent and investments. That is why «Rostech» could afford a full identity change — from a star to a square, with a budget of approximately $1,5 million. Departments operate under a different logic: their brand must emphasize state affiliation, not individuality.
All Russian ministries and departments must have a coat of arms designed according to heraldic canons — this is not a recommendation, but a rule. The problem is that dozens of identical 'official eagles' cease to perform their main function — identification. Distinguishing the coat of arms of one department from another in social networks, apps, or banners can only be done by a specialist.
In practice, two paths have emerged to solve this problem.
The second path works better but requires inner courage — because any departure from the 'eagle' provokes resistance. A telling case is the Chamber of Accounts: part of the staff demanded 'to return the eagle', although the same people at other stages of the project asked for modernity and visual diversity. This is a typical trap of rebrending a government structure: the client wants both tradition and innovation at the same time, and the agency's task is not to choose one side, but to find a form that satisfies both.
In the private sector, the decision to change the brand can be made by one person — the owner or CEO. In the public sector, there is no other way in, except for a tender — this is not a bureaucratic formality, but the only legal way to obtain a government order for branding.
On the Russian Railways rebranding project, the agency had to coordinate decisions with a large number of people from different departments — each link added time and required separate justification. In business, such a process would take weeks, in government structures — months, and sometimes even years. This is not a sign of agency inefficiency, but a systemic property of the client: the decision is spread across several centers of responsibility, and nobody wants to take it on themselves alone.
The majority of failures repeat from project to project, and almost all of them are not related to design but to the management of the process.
A telling counterexample is the brand «My Documents»: the change in visual identity was accompanied by a real restructuring of the service, and the result was confirmed by external evaluation — in 2019 year the brand entered the top 100 brands with the best customer service in Russia according to KPMG. This is a case where design did not replace substance, but reflected a real change.
The range of amounts is huge, and it depends not so much on the scale of the organization as on the volume of materials that need to be reworked.
| Project | Budget | What was included |
|---|---|---|
| Central Bank of Russia | several million rubles | logo, basic set of brand style |
| Rostekh (formerly Rostekhnologii) | $1,5 million | name change, logo, full corporate identity of the group of companies |
| Ukrposhta (2026) | 640+ thousand hryvnia | logo, employee uniforms, office and vehicle decoration, hundreds of pages of guidelines |
A branding budget for a government structure usually includes not only the development of a logo, but also adaptation for dozens of carriers: employee uniforms, building and vehicle decoration, document flow, and digital interfaces. It is precisely the scale of implementation, not the creative part, that most often determines the final cost of the project — and this should be taken into account by the client during the technical specification stage, not after the tender results are finalized.
Mixing these three types of clients is a common mistake even among agencies. They have different goals, different limitations and different freedom of action.
| Type of structure | What regulates the design | Example | Level of freedom |
|---|---|---|---|
| State company (AO with state participation) | Corporate charter, partially — requirements of the shareholder | RZD, Rostech | Medium-high |
| Government institution / department | Heraldic canons, provisions about the coat of arms | Ministry of Industry and Trade, Rosreestr | Low, but growing |
| Territorial brand | Absence of a single regulation, collegial decisions | Regional and city brands | High, but politically sensitive |
State companies are closer to business: they have a budget, KPIs, and competitors for talent and investments. That is why «Rostech» could afford a full identity change — from a star to a square, with a budget of approximately $1,5 million. Departments operate under a different logic: their brand must emphasize state affiliation, not individuality.
All Russian ministries and departments must have a coat of arms designed according to heraldic canons — this is not a recommendation, but a rule. The problem is that dozens of identical 'official eagles' cease to perform their main function — identification. Distinguishing the coat of arms of one department from another in social networks, apps, or banners can only be done by a specialist.
In practice, two paths have emerged to solve this problem.
The second path works better but requires inner courage — because any departure from the 'eagle' provokes resistance. A telling case is the Chamber of Accounts: part of the staff demanded 'to return the eagle', although the same people at other stages of the project asked for modernity and visual diversity. This is a typical trap of rebrending a government structure: the client wants both tradition and innovation at the same time, and the agency's task is not to choose one side, but to find a form that satisfies both.
In the private sector, the decision to change the brand can be made by one person — the owner or CEO. In the public sector, there is no other way in, except for a tender — this is not a bureaucratic formality, but the only legal way to obtain a government order for branding.
On the Russian Railways rebranding project, the agency had to coordinate decisions with a large number of people from different departments — each link added time and required separate justification. In business, such a process would take weeks, in government structures — months, and sometimes even years. This is not a sign of agency inefficiency, but a systemic property of the client: the decision is spread across several centers of responsibility, and nobody wants to take it on themselves alone.
The majority of failures repeat from project to project, and almost all of them are not related to design but to the management of the process.
A telling counterexample is the brand «My Documents»: the change in visual identity was accompanied by a real restructuring of the service, and the result was confirmed by external evaluation — in 2019 year the brand entered the top 100 brands with the best customer service in Russia according to KPMG. This is a case where design did not replace substance, but reflected a real change.
The range of amounts is huge, and it depends not so much on the scale of the organization as on the volume of materials that need to be reworked.
| Project | Budget | What was included |
|---|---|---|
| Central Bank of Russia | several million rubles | logo, basic set of brand style |
| Rostekh (formerly Rostekhnologii) | $1,5 million | name change, logo, full corporate identity of the group of companies |
| Ukrposhta (2026) | 640+ thousand hryvnia | logo, employee uniforms, office and vehicle decoration, hundreds of pages of guidelines |
A branding budget for a government structure usually includes not only the development of a logo, but also adaptation for dozens of carriers: employee uniforms, building and vehicle decoration, document flow, and digital interfaces. It is precisely the scale of implementation, not the creative part, that most often determines the final cost of the project — and this should be taken into account by the client during the technical specification stage, not after the tender results are finalized.